Page 48 (3.406-444) "sun... is far."

editions: [1922] [html] [arch]
notes: [Th] [G&S] [Dent] [wbks] [rw] [images] [hyper] [map]
Delaney: [146] [147] [148] [149] [150] Useen: [] [*]
Delaney: [145]

<
sun he bent over far to a table of rock and scribbled words. That's twice I forgot to take slips from the library counter.
His shadow lay over the rocks as he bent, ending. Why not endless till the farthest star? Darkly they are there behind this light, darkness shining in the brightness, delta of Cassiopeia, worlds.

"The finished poems were invariably done on slips of good quality white paper provided free and in abundance to the readers of the National Library. The slips were approximately 7 5/8 inches in length by 3 3/8 inches in width." [JF Byrne]

Delaney: [146]

Me sits there with his augur's rod of ash, in borrowed sandals, by day beside a livid sea, unbeheld, in violet night walking beneath a reign of uncouth stars.

Delaney: [147]

I throw this ended shadow from me, manshape ineluctable, call it back. Endless, would it be mine, form of my form? Who watches me here? Who ever anywhere will read these written words? Signs on a white field. Somewhere to someone in your flutiest voice. The good bishop of Cloyne took the veil of the temple out of his shovel hat: veil of space with coloured emblems hatched on its field.

shovel hat

Delaney: [148]

Hold hard. Coloured on a flat: yes, that's right. Flat I see, then think distance, near, far, flat I see, east, back. Ah, see now! Falls back suddenly, frozen in stereoscope. Click does the trick. You find my words dark. Darkness is in our souls do you not think? Flutier. Our souls, shamewounded by our sins, cling to us yet more, a woman to her lover clinging, the more the more.
She trusts me, her hand gentle, the longlashed eyes. Now where the blue hell am I bringing her beyond the veil? Into the ineluctable modality of the ineluctable visuality. She, she, she. What she?

cf Hyde's "My Grief on the Sea"

Delaney: [149]

The virgin at Hodges Figgis' window on Monday looking in for one of the alphabet books you were going to write. Keen glance you gave her. Wrist through the braided jess of her sunshade. She lives in Leeson park with a grief and kickshaws, a lady of letters. Talk that to someone else, Stevie: a pickmeup. Bet she wears those curse of God stays suspenders and yellow stockings, darned with lumpy wool. Talk about apple dumplings, piuttosto. Where are your wits?
Touch me. Soft eyes. Soft soft soft hand. I am lonely here. O, touch me soon, now. What is that word known to all men? I am quiet here alone. Sad too. Touch, touch me.
He lay back at full stretch over the sharp rocks, cramming the scribbled note and pencil into a pocket, his hat tilted down on his eyes.

Delaney: [150]

That is Kevin Egan's movement I made nodding for his nap, sabbath sleep. Et vidit Deus. Et erant valde bona. Hlo! Bonjour. Welcome as the flowers in May. Under its leaf he watched through peacocktwittering lashes the southing sun. I am caught in this burning scene. Pan's hour, the faunal noon. Among gumheavy serpentplants, milkoozing fruits, where on the tawny waters leaves lie wide. Pain is far.


♬ Welcome as the flowers in May

>

mysteries:


[PM 39:07-43:11]

[DD 05:11-05:22]
[DD 00:00-03:45]
[DD 00:00-01:02]

[IM 40:58-45:02]

[LV1 36:40-40:44]

[LV2 33:18-36:51]


proteus: 37 38 39 40 41 42 43 44 45 46 47 48 49 50