Saturday, December 17, 2016
Hierarchical-reveal hypertext design
The new style of hypertext I'm exploring in the post "Button test" below is a partial blogger simulation of my planned Fweet-style Ulysses database I've been calling Uleet.
Since Blogger recently changed their rules for images to require https, I'm looking at going thru all 800 pages to find image substitutes.
I thought I might take the opportunity to try to:
1) streamline the page design
2) tag the note-types in anticipation of Uleet
I hadn't expected to be able to implement conceal-reveal buttons in Blogger, but a lot of that kind of stuff seems do-able if you know how.
The current design goals:
1) when you first load a page, you see almost-uninterrupted Joycean text. Linebreaks are freeform for readability, with subtle annotations-buttons at convenient points. (Delaney's embedded podcasts are also visible at this level.)
[at the moment, only the annotations-buttons after "stairhead" and "crossed" are implemented]
2) clicking an annotations-button opens up a summary-view of all annotations for that passage, one short line for each note, starting with a colored oval with emoji (itself the next level of reveal-button) followed by the note-type in CAPS and a short summary-title. (illustrations are visible at this level) The background colors of the ovals will probably categorise the note-types in some simpler way.
3) Clicking an oval button opens that note. These can include a lot more redundant links since their display is optional.
Serious readers will be expected to open every note, skimmers can ignore all but their primary interest.
Switching formats will be a huge task. The html is ugly and verbose, and the note-types are messy and arbitrary.
The emoji symbols may or may not prove useful-- at least they're decorative.
Tuesday, December 6, 2016
Button test
telemachus:
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
page-text:
Stately, plump Buck Mulligan
came from the stairhead,
WORD: stately
WHAT: stairhead
bearing a bowl of lather on which a mirror and a razor lay crossed.
NUANCE: bearing
A yellow dressinggown, ungirdled,
was sustained gently behind him by the mild morning air.
WHAT: dressinggown
NUANCE: by
He held the bowl aloft and intoned:
— Introibo ad altare Dei.
CHOREOGRAPHY: held aloft
STYLE: italics
Halted, he peered down the dark winding stairs and called up coarsely:
— Come up, Kinch! Come up, you fearful jesuit!
NUANCE: halted by what?
NUANCE: called down
NUANCE: come/fearful
Solemnly he came forward and mounted the round gunrest.
He faced about and blessed gravely thrice
the tower, the surrounding country and the awaking mountains.
NUANCE: Solemnly
Then, catching sight of Stephen Dedalus,
he bent towards him and made rapid crosses in the air,
gurgling in his throat and shaking his head.
WHO: Stephen Dedalus
maybe a parody of exorcism? [1913] "a simple and authoritative adjuration addressed to the demon in the name of God" but Stephen will call it blessing
he must use his free hand while holding the shaving stuff in the other
TROJAN HORSE: we should probably see this opening as the active betrayal of Stephen and Ireland to the British and the Roman Catholics, as Odysseus betrayed Troy with the deceptive strategem of the Trojan horse
Stephen Dedalus, displeased and sleepy,
leaned his arms on the top of the staircase
Delaney shifts between DEEdalus and DEDalus (apparently no-one knows how Joyce said it!?) DAYdalus is also possible
"displeased and sleepy" (what had been the scene downstairs, before this opening? BM must have woken SD but not Haines?) (when does SD shave?)
"top of the staircase" he's still only halfway out, so either on the lip in front of him or maybe the ends of the parapet
and looked coldly
at the shaking gurgling face that blessed him,
equine in its length,
and at the light untonsured hair,
grained and hued like pale oak.
"looked" he has to look several feet up
"coldly" BM is trying but failing to be funny
"blessed" not an exorcism then?
"equine... oak" probably intended to suggest the Trojan horse, full of hidden enemies
"ungirdled... untonsured" (SD contrasting BM with priest)
if BM's hair was tonsured, how would SD have found that fitting? renouncing women?
Buck Mulligan peeped an instant under the mirror
and then covered the bowl smartly.
— Back to barracks! he said sternly.
(Delaney forgets the 1st line)
holding bowl in one hand, lifting mirror and razor with the other
(is he checking on/ addressing the lather? or addressing SD? or addressing himself?)
the consensus seems to be that 'letting the lather rest' is no practical help
(cf Molly U62 "having wiped her fingertips smartly on the blanket")
shift from priest to military officer (cf below U22 "—Seymour a bleeding officer, Buck Mulligan said.")
MYSTERIES:
after trying and failing to make SD laugh, is BM now sending the priest-persona away? back to task of shaving?
(other guesses: soldiers in bars at curfew; soldiers after battle; soldiers after morning inspection)
WHO (impersonated): army sergeant?
WHO (addressed): lather, or Stephen, or himself?
WHERE: army barracks, downstairs sleeping quarters?
"barracks" implies offduty/relaxed?
TROJAN HORSE: the Greeks put on a show of going 'back to their barracks' leaving the horse behind
He added in a preacher's tone:
— For this, O dearly beloved, is the genuine Christine:
body and soul and blood and ouns.
preacher not priest, English not Latin
WHAT: "this" = lather? Ireland? life? Stephen? himself?
"dearly beloved" common address in KJV New Testament
Christine not Christina (royalty not impostor?) [17thC princess] Christian?
anachronism: a 1906 study of multiple personality named the victim Christine
MYSTERIES:
"[Christine | christine]"
(could 'genuINE christINE' rhyme? adding the feminine ending suggests a shockingly transsexual Jesus)
"ouns" rhymes with wounds
TROJAN HORSE: is he reassuring the Trojans that the horse is a sincere gift?
Slow music, please.
Shut your eyes, gents.
One moment.
A little trouble about those white corpuscles.
Silence, all.
MYSTERIES:
WHO: musician(s)
TROJAN HORSE: a rhythmic chant might have been used to time the tugging while dragging the heavy horse inside the city gates
WHO: gents
TROJAN HORSE: the Trojans ignoring their doubts
WHAT: corpuscles
TROJAN HORSE: the immune system suspects the intruders?
WHO: all
TROJAN HORSE: both Trojans and hidden usurpers?
Mulligan can see the mailboat passing, and apparently knows the timing of its whistle, so he improvises a magic trick
his personae so far have been mercurial, but this passage shifts into low gear, even hypnotic:
"Slow music, please. [he's about to attempt something dramatic, and asks an imaginary piano player to change the tone]
Shut your eyes, gents. [men only-- more intimate? shut eyes to listen better? reassuring them they won't be missing anything important? cf U37: "Shut your eyes and see." U174: "Want to try in the dark to see." U405: "Closingtime, gents."]
A little trouble about those white corpuscles. [discovered in 1843, role in immune system not yet recognised; his own or Christine's? blood into red/white wine?]
Silence, all." [theatre director? are the corpuscles noisy?]
JAJ's 1908 notes on OG: "He speaks fluently in two jargons, that of the paddock and that of the science of medicine."
He peered sideways up and gave a long low whistle of call,
then paused awhile in rapt attention,
his even white teeth glistening here and there with gold points.
Chrysostomos.
WHO: someone or something called with a whistle
cf U28? "on a heath beneath winking stars a fox, red reek of rapine in his fur, with merciless bright eyes scraped in the earth, listened, scraped up the earth, listened, scraped and scraped."
"gold points" (visible fillings? or two gold teeth? well cared-for anyway)
"Christine... Chrysostomos"
"Chrysostomos." [essay] not italics here because it's a name, not foreign language. (Benstock: 1st stream-of-consciousness)
WHO: Chrysostomos
TROJAN HORSE: the golden-tongued orator has tricked his victims
this may be the first of many glimpses of SD-the-emerging-artist, searching for words and phrases that describe things precisely while 'constructing an enigma of manner' [more]
"Stately... coarsely... Solemnly... gravely... smartly... sternly... briskly... gravely"
Two strong shrill whistles answered through the calm.
— Thanks, old chap, he cried briskly. That will do nicely.
Switch off the current, will you?
cf? U40: "And at the same instant perhaps a priest round the corner is elevating it. Dringdring! And two streets off another locking it into a pyx. Dringadring! And in a ladychapel another taking housel all to his own cheek. Dringdring! Down, up, forward, back." (Gifford: During the celebration of the Mass a bell (the sacring bell) is rung several times, at the Sanctus, at the elevation of the host... and at the Communion (when the celebrant used also to genuflect).)
cf? U556: "THE VOICE OF ALL THE DAMNED Htengier Tnetopinmo Dog Drol eht rof, Aiulella!
(From on high the voice of Adonai calls.)
ADONAI Dooooooooooog!
THE VOICE OF ALL THE BLESSED Alleluia, for the Lord God Omnipotent reigneth! (From on high the voice of Adonai calls.)
ADONAI Goooooooooood!"
British accent; giving orders even to God? Dr Frankenstein?
MYSTERIES:
"Two strong shrill whistles answered" (apparently he knows the mailboat's routine well enough to enlist it in this joke, hoping to time it just right-- a neat trick when it works) (but would the mailboat's whistles be shrill or deep?)
"current" (the Tower didn't have electricity yet. i think even the water had to be pumped.)
WHO: an assistant is closer to the switch, turning it off so it's safe to approach something? an executed victim who's now dead? (since 1890)
TROJAN HORSE: a British officer declaring victory, safe to lower defenses
mysteries: Christine; white corpuscles; Two strong shrill whistles answered... Switch off the current, will you?
telemachus: 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23
page-text:
Delaney:
[1]
Stately, plump Buck Mulligan
came from the stairhead,
WORD: stately
the word 'stately' is most often conventionally followed by 'mansions'
Delaney reads it as an adverb, but it's not (his anagram business is also misleading)
Joyce emphasizes a duality between Church and State (the chapter ends with a priest) but Mulligan here is acting more priestly than royal
STYLE: cunningDelaney reads it as an adverb, but it's not (his anagram business is also misleading)
Joyce emphasizes a duality between Church and State (the chapter ends with a priest) but Mulligan here is acting more priestly than royal
Joyce crafts each sentence to win our trust, but also to hint that we'll have to pay close attention to solve the many casual riddles.
(Odysseus cunningly designed the Trojan Horse to sneak warriors into the enemy camp)
WHO: Buck Mulligan(Odysseus cunningly designed the Trojan Horse to sneak warriors into the enemy camp)
Malachi Roland St John 'Buck' Mulligan
[pix]
[mentions]
was based on Oliver St John Gogarty
[wiki]
[resources]
STYLE: libelous
it's the first of many lacerating portraits of lightly disguised real Dubliners in the book, often using their real names, risking libel charges and wounding them deeply.
WHERE: roof of Martello tower at Sandycove, IrelandWHAT: stairhead
top steps of very narrow spiral staircase enclosed in west side of Tower wall
RESEARCH: dimensions?
we need the exact dimensions of stairhead, parapet, gunrest
Shakespeare's Globe Theatre stage was twice as wide as the towertop of Telemachus
ALLUSION: HomerShakespeare's Globe Theatre stage was twice as wide as the towertop of Telemachus
this is the primary Homeric 'suitor' from Stephen's point of view, 'plump' because he's gorging on food usurped from the missing Odysseus (but he's simultaneously Odysseus using the TROJAN HORSE strategem to usurp the city of Troy)
VOICE: Mulligan?
Benstock suggests the opening sentences are in Mulligan's voice (but Mulligan is a mocker of all voices)
MYSTERY: choreography?
"came from... came forward" (whose point of view is this? not Mulligan's own)
gunrest and stairhead (camera looking SW, i think) |
bearing a bowl of lather on which a mirror and a razor lay crossed.
NUANCE: bearing
'bearing' turns the act into a ritual (Catholic Mass)
WHAT: bowl
meant to be held in one hand while other hand whisks lather
traditionally a mug with a handle
later described as nickel (implausible unless nickelplated silver)
PRONUNCIATION: lathertraditionally a mug with a handle
later described as nickel (implausible unless nickelplated silver)
rhymes with 'bother' not 'slather'
BACKSTORY: lather
apparently he did the whisking downstairs, where the water was
WHAT: mirror
mirror (women's paddle-shaped?, cracked) will be propped on parapet, fits in dressinggown pocket
RESEARCH: possible dimensions of mirror
WHAT: razorRESEARCH: possible dimensions of mirror
folding straightrazor, fits in pocket when closed
MYSTERY: 'cross' dimensions?
"crossed" implies the mirror can be seen as one bar of a cross, the razor as the other
SYMBOLISM: cross
cross as Christian symbol
A yellow dressinggown, ungirdled,
was sustained gently behind him by the mild morning air.
WHAT: dressinggown
yellow silk, worn over pants
NUANCE: why 'A' not "His'?
"A yellow dressinggown" (why 'A' not "His'?)
BACKSTORY: pantsNUANCE: by
"sustained gently behind him [by | on] the mild morning air" (without saying so, JAJ implies it's silk)
WEATHER: mild
average Dublin temperatures on 16 June: low 49°F, high 64°F (coincidentally about the same as when Joyce actually stayed there in September)
the thick granite walls of the Tower must have held the cold
TIME: morningthe thick granite walls of the Tower must have held the cold
It's about 8:30am on Thursday 16 June 1904. The sun rose at 3:30am. (53° north, cf Edmonton, Alberta, Canada)
He held the bowl aloft and intoned:
— Introibo ad altare Dei.
CHOREOGRAPHY: held aloft
probably with both hands
QUOTE: Catholic Mass
QUOTE: Catholic Mass, in Latin
[Introibo ad altare Dei] ritually mumbled not intoned?
'introibo' is 'I will go in to' the altar of God, not 'up to'
ALLUSION: Homer[Introibo ad altare Dei] ritually mumbled not intoned?
'introibo' is 'I will go in to' the altar of God, not 'up to'
STYLE: italics
notice that italics in Ulysses signify: foreign languages, quotations, and song lyrics or poems. never internal monolog, never simple emphasis.
ECHO: Black Mass
cf U556: "FATHER MALACHI O'FLYNN Introibo ad altare diaboli." (this Black Mass scene will be hallucinated as set in the room below)
STYLE: Buck's blasphemies
Joyce's portrait of Gogarty was drawn specifically to reveal his blasphemous/ obscene side to his conformist patients in Dublin, confronting OG with his social hypocrisies. (His peers would already have known him well.)
OG w/JAJ, 1909: "'Well do you really want me to go to hell and be damned'. I said 'I bear you no illwill. I believe you have some points of good nature. You and I of 6 years ago are both dead. But I must write as I have felt'. He said 'I don't care a damn what you say of me so long as it is literature'. I said 'Do you mean that?' He said 'I do. Honest to Jaysus. Now will you shake hands with me at least?' I said 'I will: on that understanding.'"
OG 1922: "That bloody Joyce whom I kept in my youth has written a book you can read on all the lavatory walls of Dublin" (cf OG's own obscene songs)
OG w/JAJ, 1909: "'Well do you really want me to go to hell and be damned'. I said 'I bear you no illwill. I believe you have some points of good nature. You and I of 6 years ago are both dead. But I must write as I have felt'. He said 'I don't care a damn what you say of me so long as it is literature'. I said 'Do you mean that?' He said 'I do. Honest to Jaysus. Now will you shake hands with me at least?' I said 'I will: on that understanding.'"
OG 1922: "That bloody Joyce whom I kept in my youth has written a book you can read on all the lavatory walls of Dublin" (cf OG's own obscene songs)
Delaney:
[2]
Halted, he peered down the dark winding stairs and called up coarsely:
— Come up, Kinch! Come up, you fearful jesuit!
NUANCE: halted by what?
"Halted" (by what?)
WHAT: stairs (pic)NUANCE: called down
Joyce seems to have rejected the obvious 'called down' in favor of 'up' or 'out' (depending on the draft)
"called [up | out] coarsely" (given the thick walls and narrow stairs, he'd have to be loud)
ALLUSION: Romeo and Juliet"called [up | out] coarsely" (given the thick walls and narrow stairs, he'd have to be loud)
Romeo and Juliet, opening line of III.3:
FRIAR LAURENCE Romeo, come forth; come forth, thou fearful man:
NUANCE: KinchFRIAR LAURENCE Romeo, come forth; come forth, thou fearful man:
p4: "O, my name for you is the best: Kinch, the knifeblade."
cf kink and cinch
Dialect Dictionary: "A loop, twist, noose of a rope, a hitch. (cf kink}. Kinsch-pin: a pin or stick used in twisting the ropes which bind anything together to make them firmer. A sudden twist in wrestling. An unfair or unexpected advantage; a favour; a hold. 'To keep kinches' = to act together. To manage anything dexterously (to keep their kinches). To twist, loop, knot, to tighten by twisting. To strain a muscle. A hole dug in a grassy beach; having the bottom and side puddled with clay ('the kinch was filled to the brim'). The young fry of fish. A small portion or quantity ('a kinch of bread')"
Mulligan will use "Kinch" 20 times in this episode, less than 10 times more in the rest of the book (is there any evidence Gogarty used it of Joyce?)
ECHO: (scene)cf kink and cinch
Dialect Dictionary: "A loop, twist, noose of a rope, a hitch. (cf kink}. Kinsch-pin: a pin or stick used in twisting the ropes which bind anything together to make them firmer. A sudden twist in wrestling. An unfair or unexpected advantage; a favour; a hold. 'To keep kinches' = to act together. To manage anything dexterously (to keep their kinches). To twist, loop, knot, to tighten by twisting. To strain a muscle. A hole dug in a grassy beach; having the bottom and side puddled with clay ('the kinch was filled to the brim'). The young fry of fish. A small portion or quantity ('a kinch of bread')"
Mulligan will use "Kinch" 20 times in this episode, less than 10 times more in the rest of the book (is there any evidence Gogarty used it of Joyce?)
images from this episode will reappear at the climax of episode 15:
U539: "(From the top of a tower Buck Mulligan, in particoloured jester's dress of puce and yellow and clown's cap with curling bell, stands gaping at her, a smoking buttered split scone in his hand.)
BUCK MULLIGAN She's beastly dead. The pity of it! Mulligan meets the afflicted mother. (He upturns his eyes.) Mercurial Malachi.
THE MOTHER (With the subtle smile of death's madness.) I was once the beautiful May Goulding. I am dead.
STEPHEN (Horrorstruck.) Lemur, who are you? No. What bogeyman's trick is this?
BUCK MULLIGAN (Shakes his curling capbell.) The mockery of it! Kinch dogsbody killed her bitchbody. She kicked the bucket. (Tears of molten butter fall from his eyes on to the scone.) Our great sweet mother! Epi oinopa ponton."
MOTIVATION: ego?U539: "(From the top of a tower Buck Mulligan, in particoloured jester's dress of puce and yellow and clown's cap with curling bell, stands gaping at her, a smoking buttered split scone in his hand.)
BUCK MULLIGAN She's beastly dead. The pity of it! Mulligan meets the afflicted mother. (He upturns his eyes.) Mercurial Malachi.
THE MOTHER (With the subtle smile of death's madness.) I was once the beautiful May Goulding. I am dead.
STEPHEN (Horrorstruck.) Lemur, who are you? No. What bogeyman's trick is this?
BUCK MULLIGAN (Shakes his curling capbell.) The mockery of it! Kinch dogsbody killed her bitchbody. She kicked the bucket. (Tears of molten butter fall from his eyes on to the scone.) Our great sweet mother! Epi oinopa ponton."
NUANCE: come/fearful
had he assumed SD was following him? is he accusing SD of balking at the stairs?
ECHO: jejune jesuitSolemnly he came forward and mounted the round gunrest.
He faced about and blessed gravely thrice
the tower, the surrounding country and the awaking mountains.
NUANCE: Solemnly
"Stately... coarsely... Solemnly" Buck is switching (mercurially) between an apparently solemn performance and an actually coarse character
(so the coarseness was an aside)
CHOREOGRAPHY: hands(so the coarseness was an aside)
again holding shaving stuff down with one hand?
WHAT: gunrest
gunrest (about 6" high, 6ft diameter)
actually called a 'traversing platform' or 'pivot block' [pdf]
"gunrest" usually refers to a support at the barrel end, for aiming
(but who'd remember what they'd officially called it in 1805?)
CHOREOGRAPHY: faced aboutactually called a 'traversing platform' or 'pivot block' [pdf]
"gunrest" usually refers to a support at the barrel end, for aiming
(but who'd remember what they'd officially called it in 1805?)
He had to be facing the gunrest as he mounted it, but now he turns around 180 degrees to face the stairs again
RESEARCH: blessed
is this a gesture or a phrase?
ECHO: gravely
"Stately... coarsely... Solemnly... gravely"
episode 6 (Hades) ends in a graveyard
RESEARCH: thriceepisode 6 (Hades) ends in a graveyard
"thrice" (3 each or 3 total?)
WHERE: surrounding country
"surrounding country" land to south and west
he omits the bay (water to north and east not blessed!?)
WHERE: mountainshe omits the bay (water to north and east not blessed!?)
mountains in southwest
"awaking" not 'awakening'
"awaking" not 'awakening'
Then, catching sight of Stephen Dedalus,
he bent towards him and made rapid crosses in the air,
gurgling in his throat and shaking his head.
WHO: Stephen Dedalus
maybe a parody of exorcism? [1913] "a simple and authoritative adjuration addressed to the demon in the name of God" but Stephen will call it blessing
he must use his free hand while holding the shaving stuff in the other
TROJAN HORSE: we should probably see this opening as the active betrayal of Stephen and Ireland to the British and the Roman Catholics, as Odysseus betrayed Troy with the deceptive strategem of the Trojan horse
Delaney:
[3]
Stephen Dedalus, displeased and sleepy,
leaned his arms on the top of the staircase
Delaney shifts between DEEdalus and DEDalus (apparently no-one knows how Joyce said it!?) DAYdalus is also possible
(I was wondering would he would lend me five shillings) = $25 now |
"top of the staircase" he's still only halfway out, so either on the lip in front of him or maybe the ends of the parapet
and looked coldly
at the shaking gurgling face that blessed him,
equine in its length,
and at the light untonsured hair,
grained and hued like pale oak.
"looked" he has to look several feet up
"coldly" BM is trying but failing to be funny
"blessed" not an exorcism then?
"equine... oak" probably intended to suggest the Trojan horse, full of hidden enemies
"ungirdled... untonsured" (SD contrasting BM with priest)
if BM's hair was tonsured, how would SD have found that fitting? renouncing women?
white oak |
Delaney:
[4]
Buck Mulligan peeped an instant under the mirror
and then covered the bowl smartly.
— Back to barracks! he said sternly.
(Delaney forgets the 1st line)
holding bowl in one hand, lifting mirror and razor with the other
(is he checking on/ addressing the lather? or addressing SD? or addressing himself?)
the consensus seems to be that 'letting the lather rest' is no practical help
(cf Molly U62 "having wiped her fingertips smartly on the blanket")
shift from priest to military officer (cf below U22 "—Seymour a bleeding officer, Buck Mulligan said.")
MYSTERIES:
after trying and failing to make SD laugh, is BM now sending the priest-persona away? back to task of shaving?
(other guesses: soldiers in bars at curfew; soldiers after battle; soldiers after morning inspection)
WHO (impersonated): army sergeant?
WHO (addressed): lather, or Stephen, or himself?
WHERE: army barracks, downstairs sleeping quarters?
"barracks" implies offduty/relaxed?
TROJAN HORSE: the Greeks put on a show of going 'back to their barracks' leaving the horse behind
He added in a preacher's tone:
— For this, O dearly beloved, is the genuine Christine:
body and soul and blood and ouns.
preacher not priest, English not Latin
WHAT: "this" = lather? Ireland? life? Stephen? himself?
"dearly beloved" common address in KJV New Testament
Christine not Christina (royalty not impostor?) [17thC princess] Christian?
anachronism: a 1906 study of multiple personality named the victim Christine
MYSTERIES:
"[Christine | christine]"
(could 'genuINE christINE' rhyme? adding the feminine ending suggests a shockingly transsexual Jesus)
"ouns" rhymes with wounds
TROJAN HORSE: is he reassuring the Trojans that the horse is a sincere gift?
Slow music, please.
Shut your eyes, gents.
One moment.
A little trouble about those white corpuscles.
Silence, all.
MYSTERIES:
WHO: musician(s)
TROJAN HORSE: a rhythmic chant might have been used to time the tugging while dragging the heavy horse inside the city gates
WHO: gents
TROJAN HORSE: the Trojans ignoring their doubts
WHAT: corpuscles
TROJAN HORSE: the immune system suspects the intruders?
WHO: all
TROJAN HORSE: both Trojans and hidden usurpers?
Mulligan can see the mailboat passing, and apparently knows the timing of its whistle, so he improvises a magic trick
his personae so far have been mercurial, but this passage shifts into low gear, even hypnotic:
"Slow music, please. [he's about to attempt something dramatic, and asks an imaginary piano player to change the tone]
Shut your eyes, gents. [men only-- more intimate? shut eyes to listen better? reassuring them they won't be missing anything important? cf U37: "Shut your eyes and see." U174: "Want to try in the dark to see." U405: "Closingtime, gents."]
A little trouble about those white corpuscles. [discovered in 1843, role in immune system not yet recognised; his own or Christine's? blood into red/white wine?]
Silence, all." [theatre director? are the corpuscles noisy?]
JAJ's 1908 notes on OG: "He speaks fluently in two jargons, that of the paddock and that of the science of medicine."
He peered sideways up and gave a long low whistle of call,
then paused awhile in rapt attention,
his even white teeth glistening here and there with gold points.
Chrysostomos.
WHO: someone or something called with a whistle
cf U28? "on a heath beneath winking stars a fox, red reek of rapine in his fur, with merciless bright eyes scraped in the earth, listened, scraped up the earth, listened, scraped and scraped."
"gold points" (visible fillings? or two gold teeth? well cared-for anyway)
"Christine... Chrysostomos"
"Chrysostomos." [essay] not italics here because it's a name, not foreign language. (Benstock: 1st stream-of-consciousness)
WHO: Chrysostomos
TROJAN HORSE: the golden-tongued orator has tricked his victims
this may be the first of many glimpses of SD-the-emerging-artist, searching for words and phrases that describe things precisely while 'constructing an enigma of manner' [more]
"Stately... coarsely... Solemnly... gravely... smartly... sternly... briskly... gravely"
Two strong shrill whistles answered through the calm.
— Thanks, old chap, he cried briskly. That will do nicely.
Switch off the current, will you?
cf? U40: "And at the same instant perhaps a priest round the corner is elevating it. Dringdring! And two streets off another locking it into a pyx. Dringadring! And in a ladychapel another taking housel all to his own cheek. Dringdring! Down, up, forward, back." (Gifford: During the celebration of the Mass a bell (the sacring bell) is rung several times, at the Sanctus, at the elevation of the host... and at the Communion (when the celebrant used also to genuflect).)
cf? U556: "THE VOICE OF ALL THE DAMNED Htengier Tnetopinmo Dog Drol eht rof, Aiulella!
(From on high the voice of Adonai calls.)
ADONAI Dooooooooooog!
THE VOICE OF ALL THE BLESSED Alleluia, for the Lord God Omnipotent reigneth! (From on high the voice of Adonai calls.)
ADONAI Goooooooooood!"
British accent; giving orders even to God? Dr Frankenstein?
MYSTERIES:
"Two strong shrill whistles answered" (apparently he knows the mailboat's routine well enough to enlist it in this joke, hoping to time it just right-- a neat trick when it works) (but would the mailboat's whistles be shrill or deep?)
"current" (the Tower didn't have electricity yet. i think even the water had to be pumped.)
WHO: an assistant is closer to the switch, turning it off so it's safe to approach something? an executed victim who's now dead? (since 1890)
TROJAN HORSE: a British officer declaring victory, safe to lower defenses
mysteries: Christine; white corpuscles; Two strong shrill whistles answered... Switch off the current, will you?
[fd 0:00-1:58]
[dd 00:00-02:43]
(i imagine BM's accent being much more upperclass than DD's version here)
[im 00:00-02:28]
[lv1 01:34-03:59]
[lv2 00:22-02:13]
[dd 00:00-02:43]
(i imagine BM's accent being much more upperclass than DD's version here)
[im 00:00-02:28]
[lv1 01:34-03:59]
[lv2 00:22-02:13]
telemachus: 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23
Friday, December 2, 2016
Tana French's Dublin
(her primary settings all seem to relocate real placenames to fictional sites)
In the Woods
There's lots of Irish places called 'Knocknaree' but this one is fictional, location (red paddle) implied by ""She had had a ballet class in Stillorgan, a few miles in towards the center of Dublin
Two local motorways opened in 2005
Poem: "At the British War Cemetery, Bayeux" by Charles Causley
The Likeness
Ryan's room is a stone's throw from the Tower (also Synge's pissed-on door)
Ryan and Maddox walk the famous Strand
their offices are in the Castle (like Martin Cunningham's)
Ballsbridge is where the cavalcade ends up
UCD has moved
Knocknaree would have been about an hour's walk from Deasy's school
In the Woods
There's lots of Irish places called 'Knocknaree' but this one is fictional, location (red paddle) implied by ""She had had a ballet class in Stillorgan, a few miles in towards the center of Dublin
Two local motorways opened in 2005
Poem: "At the British War Cemetery, Bayeux" by Charles Causley
The Likeness
Ryan's room is a stone's throw from the Tower (also Synge's pissed-on door)
Ryan and Maddox walk the famous Strand
their offices are in the Castle (like Martin Cunningham's)
Ballsbridge is where the cavalcade ends up
UCD has moved
Knocknaree would have been about an hour's walk from Deasy's school
Monday, November 7, 2016
Ulysses on Ice
►
magnifying them into skaters, dancing...
(also: exiles on ice
already minutely choreographed by joyce in stage directions,
dubliners on ice)
i was thinking first just of a ballet
(and an ice ballet could always be trimmed of its ice
if you just can't take it seriously)
ep1 is revealed mostly as a brother-duet
with buck leading and challenging and stephen quietly following
stephen eventually asking for a brotherly commitment
buck peaks with his entrance
a flurry of grandiose pantomimes of male roles
(stephen will get a glorious extended solo later, in proteus on ice)
different modalities might be conveyed with colored spotlights
buck first mimes a self-serious priest
then he mimes stephen as a fearful, jejune jesuit (holding up his jupes to flee? cf Stephen Hero ch18 "holding their soutanes up as women do with their skirts when they cross a muddy street")
then a series of grandiose flourishes
skating circles around barely-moving stephen
(as buck starts to shave as well)
stephen is fearful, displeased and sleepy because haines had a noisy nightmare
stephen must mime haines and himself, and also mime brave buck
and he at first demands buck choose
snotrag-business
sea-gaze
buck suddenly halts and accuses stephen of killing his mother
buck skates off smugly as stephen secretly writhes
stephen then resumes the duet
buck continues challenging stephen's sanity, then catches himself
reverses direction
praises stephen
complains stephen distrusts him
offers to give haines a ragging
asks what's real problem
dramatic pause
stephen takes tentative lead, buck follows warily
stephen recalls overhearing buck's heartless phrase
(stephen wishes for a brotherbond
where buck would play protector of his heart)
but buck flees
mounts defense
stephen parries
buck departs with nonapology
stephen's sad solo turns nightmarish
buck returns
kitchen cooking and banter
milkwoman slow but sure
later:
bloom's kitchen duet with (skating) cat
like chaplin on rollerskates
bloom timidly stalks oblivious neighbor girl
bloom busily circles reclining molly
later:
hades on ice: foursome with two skating backwards
scylla: competent librarians hector brilliant stephen like birds of prey
telemachus on ice
sounds like a joke
ben stiller as buck, owen wilson as stephen
but getting the choreography right is a very useful joycean exercise
(just faking it would be obvious-- there must be no showy triple axles
unless the character is specifically doing
the equivalent of a showy triple axle)
joyce believed in a language of graceful gestures
and arranged his words to capture these
at least subliminally
so we should try making them explicitsounds like a joke
ben stiller as buck, owen wilson as stephen
but getting the choreography right is a very useful joycean exercise
(just faking it would be obvious-- there must be no showy triple axles
unless the character is specifically doing
the equivalent of a showy triple axle)
joyce believed in a language of graceful gestures
and arranged his words to capture these
at least subliminally
magnifying them into skaters, dancing...
(also: exiles on ice
already minutely choreographed by joyce in stage directions,
dubliners on ice)
i was thinking first just of a ballet
(and an ice ballet could always be trimmed of its ice
if you just can't take it seriously)
ep1 is revealed mostly as a brother-duet
with buck leading and challenging and stephen quietly following
stephen eventually asking for a brotherly commitment
buck peaks with his entrance
a flurry of grandiose pantomimes of male roles
(stephen will get a glorious extended solo later, in proteus on ice)
different modalities might be conveyed with colored spotlights
buck first mimes a self-serious priest
then he mimes stephen as a fearful, jejune jesuit (holding up his jupes to flee? cf Stephen Hero ch18 "holding their soutanes up as women do with their skirts when they cross a muddy street")
then a series of grandiose flourishes
skating circles around barely-moving stephen
(as buck starts to shave as well)
stephen is fearful, displeased and sleepy because haines had a noisy nightmare
stephen must mime haines and himself, and also mime brave buck
and he at first demands buck choose
snotrag-business
sea-gaze
buck suddenly halts and accuses stephen of killing his mother
buck skates off smugly as stephen secretly writhes
stephen then resumes the duet
buck continues challenging stephen's sanity, then catches himself
reverses direction
praises stephen
complains stephen distrusts him
offers to give haines a ragging
asks what's real problem
dramatic pause
stephen takes tentative lead, buck follows warily
stephen recalls overhearing buck's heartless phrase
(stephen wishes for a brotherbond
where buck would play protector of his heart)
but buck flees
mounts defense
stephen parries
buck departs with nonapology
stephen's sad solo turns nightmarish
buck returns
kitchen cooking and banter
milkwoman slow but sure
later:
bloom's kitchen duet with (skating) cat
like chaplin on rollerskates
bloom timidly stalks oblivious neighbor girl
bloom busily circles reclining molly
later:
hades on ice: foursome with two skating backwards
scylla: competent librarians hector brilliant stephen like birds of prey
Saturday, September 24, 2016
Before Bloomsday 1904
c June 20 Seymour "Going over next week to stew" (p22)
Friday June 17
Thursday June 16
p191 "The sentimentalist is he who would enjoy without incurring the immense debtorship for a thing done. Signed: Dedalus. Where did you launch it from? The kips? No. College Green. Have you drunk the four quid? The aunt is going to call on your unsubstantial father. Telegram! Malachi Mulligan, the Ship, lower Abbey street."
p190 "Three drams of usquebaugh you drank with Dan Deasy's ducats. How much did I spend? O, a few shillings."
p26 "— Have I heard all? Stephen asked.
— Yes, sir. Hockey at ten, sir.
— Half day, sir. Thursday"
p25 "Where do you begin in this?" SD not current
p11 "— I get paid this morning, Stephen said.
— The school kip? Buck Mulligan said. How much? Four quid?"
p46 "After he woke me up last night same dream or was it? Wait. Open hallway. Street of harlots. Remember. Haroun al Raschid. I am almosting it. That man led me, spoke. I was not afraid. The melon he had he held against my face. Smiled: creamfruit smell. That was the rule, said. In. Come. Red carpet spread. You will see who."
p4 "He was raving all night about a black panther"
Wednesday June 15
SD's hat in BM's trunk p17
p6 BM at the Ship (w/Haines? w/o SD) "That fellow I was with in the Ship last night" leaves w/florin (p15)
Seymour spooning with Lily on pier (p22)
p190 "I hear that an actress played Hamlet for the fourhundredandeighth time last night in Dublin."
SD eats w/BM? "Three times a day, after meals" (p19)
someone washes dishes
p12 "I told her to come after eight." also Haines? "That woman"
Tuesday June 14
p209 "— O, the night in the Camden hall when the daughters of Erin had to lift their skirts to step over you as you lay in your mulberrycoloured, multicoloured, multitudinous vomit!"
p206 "— I called upon the bard Kinch at his summer residence in upper Mecklenburgh street and found him deep in the study of the Summa contra Gentiles in the company of two gonorrheal ladies, Fresh Nelly and Rosalie, the coalquay whore."
p191 "— The tramper Synge is looking for you, he said, to murder you. He heard you pissed on his halldoor in Glasthule. He's out in pampooties to murder you.
— Me! Stephen exclaimed. That was your contribution to literature."
someone buys bread, eggs, bacon, honey, sugar
quart of milk "it's seven mornings a pint at twopence is seven twos is a shilling and twopence over and these three mornings a quart at fourpence is three quarts is a shilling. That's a shilling and one and two is two and two, sir." p15
Monday June 13
p48 "The virgin at Hodges Figgis' window on Monday"
quart of milk
Sunday June 12
drowning June 7 "It's nine days today." (p21)
seven days of pints of milk start June 6
Stephen teaches daily
someone rents tower "It is mine, I paid the rent." (p20)
p29 "As on the first day he bargained with me here... Three twelve... The same room and hour, the same wisdom: and I the same. Three times now." (June 16, June 9, June 2?)
p31 "Mrs McKernan, five weeks' board"
26 March theatre program
p208 "— Longworth is awfully sick, he said, after what you wrote about that old hake Gregory. O you inquisitional drunken jew jesuit! She gets you a job on the paper and then you go and slate her drivel to Jaysus."
p184 "Yogibogeybox in Dawson chambers. Isis Unveiled. Their Pali book we tried to pawn."
p8 "the first day I went to your house after my mother's death"
p648 Mrs Dedalus buried 26 June 1903
Paris adventure
Friday June 17
Thursday June 16
p191 "The sentimentalist is he who would enjoy without incurring the immense debtorship for a thing done. Signed: Dedalus. Where did you launch it from? The kips? No. College Green. Have you drunk the four quid? The aunt is going to call on your unsubstantial father. Telegram! Malachi Mulligan, the Ship, lower Abbey street."
p190 "Three drams of usquebaugh you drank with Dan Deasy's ducats. How much did I spend? O, a few shillings."
p26 "— Have I heard all? Stephen asked.
— Yes, sir. Hockey at ten, sir.
— Half day, sir. Thursday"
p25 "Where do you begin in this?" SD not current
p11 "— I get paid this morning, Stephen said.
— The school kip? Buck Mulligan said. How much? Four quid?"
p46 "After he woke me up last night same dream or was it? Wait. Open hallway. Street of harlots. Remember. Haroun al Raschid. I am almosting it. That man led me, spoke. I was not afraid. The melon he had he held against my face. Smiled: creamfruit smell. That was the rule, said. In. Come. Red carpet spread. You will see who."
p4 "He was raving all night about a black panther"
Wednesday June 15
SD's hat in BM's trunk p17
p6 BM at the Ship (w/Haines? w/o SD) "That fellow I was with in the Ship last night" leaves w/florin (p15)
Seymour spooning with Lily on pier (p22)
p190 "I hear that an actress played Hamlet for the fourhundredandeighth time last night in Dublin."
SD eats w/BM? "Three times a day, after meals" (p19)
someone washes dishes
p12 "I told her to come after eight." also Haines? "That woman"
Tuesday June 14
p209 "— O, the night in the Camden hall when the daughters of Erin had to lift their skirts to step over you as you lay in your mulberrycoloured, multicoloured, multitudinous vomit!"
p206 "— I called upon the bard Kinch at his summer residence in upper Mecklenburgh street and found him deep in the study of the Summa contra Gentiles in the company of two gonorrheal ladies, Fresh Nelly and Rosalie, the coalquay whore."
p191 "— The tramper Synge is looking for you, he said, to murder you. He heard you pissed on his halldoor in Glasthule. He's out in pampooties to murder you.
— Me! Stephen exclaimed. That was your contribution to literature."
someone buys bread, eggs, bacon, honey, sugar
quart of milk "it's seven mornings a pint at twopence is seven twos is a shilling and twopence over and these three mornings a quart at fourpence is three quarts is a shilling. That's a shilling and one and two is two and two, sir." p15
Monday June 13
p48 "The virgin at Hodges Figgis' window on Monday"
quart of milk
Sunday June 12
drowning June 7 "It's nine days today." (p21)
seven days of pints of milk start June 6
Stephen teaches daily
someone rents tower "It is mine, I paid the rent." (p20)
p29 "As on the first day he bargained with me here... Three twelve... The same room and hour, the same wisdom: and I the same. Three times now." (June 16, June 9, June 2?)
p31 "Mrs McKernan, five weeks' board"
26 March theatre program
p208 "— Longworth is awfully sick, he said, after what you wrote about that old hake Gregory. O you inquisitional drunken jew jesuit! She gets you a job on the paper and then you go and slate her drivel to Jaysus."
p184 "Yogibogeybox in Dawson chambers. Isis Unveiled. Their Pali book we tried to pawn."
p8 "the first day I went to your house after my mother's death"
p648 Mrs Dedalus buried 26 June 1903
Paris adventure
Friday, August 5, 2016
Thursday, June 16, 2016
A Ulysses census
I'm thinking there's a need for a spreadsheet with one line for each character in Ulysses.
[eg]
fields:
fictional name
real name(s)
aka
appearances
I'm playing with the idea of a single column for 'appearances' that holds a series of codes separated by commas
A-R = which of the 18 episodes they appear in
0-Z = class of appearance
0-9 = uncertainty of appearance-class
eg: A00
classes:
0 = seen and named
1 = seen but not named
2 = named but not seen
3 = alluded to but not seen or named
4? named but hallucinated
[eg]
fields:
fictional name
real name(s)
aka
appearances
I'm playing with the idea of a single column for 'appearances' that holds a series of codes separated by commas
A-R = which of the 18 episodes they appear in
0-Z = class of appearance
0-9 = uncertainty of appearance-class
eg: A00
classes:
0 = seen and named
1 = seen but not named
2 = named but not seen
3 = alluded to but not seen or named
4? named but hallucinated
Tuesday, April 12, 2016
[Bloomsday recipes]
resources for replicating the meals eaten in Ulysses
rashers/eggs/fry/grease
bread, butter
milk, honey, sugarlumps
Irish Soda Bread: HuffPo, Joyce of Cooking
figrolls (fig newtons?)
bread and butter
tea, sugar, cream ("choice blend, finest quality, family tea")
kidney fried in butter with pepper
Simnel cakes
Banbury cakes
Roast beef and cabbage, corned and cabbage
burgundy
cheese sandwich, fresh clean bread, gorgonzola, pungent yellow mustard
gorgonzola sandwich: Davy Byrnes Pub, ditto
pears, peaches, Gilbey and Co's white invalid port
yellow thick peasoup
chunks of bread
mรฉlanges, scones and butter, cakes
liver gravy
mashed potatoes
steak and kidney pie
Liver Slices Fried with Crust Crumbs & Bacon: The Joyce of Cooking
fried liver: Cassell’s “Dictionary of Cookery” (1870’s)
two teacups two level spoonfuls, four in all, of Epps's soluble cocoa
water plus sugar plus cream plus cocoa
rashers/eggs/fry/grease
bread, butter
milk, honey, sugarlumps
Irish Soda Bread: HuffPo, Joyce of Cooking
figrolls (fig newtons?)
bread and butter
tea, sugar, cream ("choice blend, finest quality, family tea")
kidney fried in butter with pepper
Simnel cakes
Banbury cakes
Roast beef and cabbage, corned and cabbage
burgundy
cheese sandwich, fresh clean bread, gorgonzola, pungent yellow mustard
gorgonzola sandwich: Davy Byrnes Pub, ditto
pears, peaches, Gilbey and Co's white invalid port
yellow thick peasoup
chunks of bread
mรฉlanges, scones and butter, cakes
liver gravy
mashed potatoes
steak and kidney pie
Liver Slices Fried with Crust Crumbs & Bacon: The Joyce of Cooking
fried liver: Cassell’s “Dictionary of Cookery” (1870’s)
two teacups two level spoonfuls, four in all, of Epps's soluble cocoa
water plus sugar plus cream plus cocoa
Friday, April 8, 2016
[Joycean poweruser's toolkit]
Here's the reference sources I find myself using over and over for both Ulysses and Finnegans Wake. (Take the time to put these prominently on your bookmarks bar, and preset them for your most common ranges):
desktop editions of Ulysses and Finnegans Wake
(much more flexible than concordances or online editions)
Fweet
includes regular expressions, annotations (FW only)
Wiktionary
multilingual, so especially good for FW
Onelook
wildcard search of multiple reference sites
the 1909 Dublin map
for Ulysses
the 1901 census
for Ulysses, lots of subtle uses (eg religion, occupation, street address)
GoogleBooks
chaotic but huge
Hathi books
much crisper but narrower
ngrams
track phrase origins
CopyPaste
special characters, quick and easy
GoogleKeep
for chunks of text you reuse
PowerThesaurus
nice design
also: zamzar.com is easy for all kinds of file format conversions
desktop editions of Ulysses and Finnegans Wake
(much more flexible than concordances or online editions)
Fweet
includes regular expressions, annotations (FW only)
Wiktionary
multilingual, so especially good for FW
Onelook
wildcard search of multiple reference sites
the 1909 Dublin map
for Ulysses
the 1901 census
for Ulysses, lots of subtle uses (eg religion, occupation, street address)
GoogleBooks
chaotic but huge
Hathi books
much crisper but narrower
ngrams
track phrase origins
CopyPaste
special characters, quick and easy
GoogleKeep
for chunks of text you reuse
PowerThesaurus
nice design
also: zamzar.com is easy for all kinds of file format conversions
Monday, March 14, 2016
[3D Dublin dioramas]
this is totally not ready for primetime, but i'm trying to test the limits of a free web-based javascript 3d modelling engine called PlayCanvas for mocking up bloom's neighborhoods.
starting from a 'fork' of this very simple terrain demo, i mostly just upload my customised 'heightmap' to replace the one called 'Heightmap.jpg' in their Terrain entity.
i've been using 2048*2048 greyscale jpegs with tracings of the 1909 dublin map. pure black is the 'zero' height and i use trial and error to judge how gradually the black level should lighten. (weirdly, you need to 'flip horizontal' the map or left and right will be backwards.)
my primary goal is to give an intuitive sense of distances, so i want the building-fronts along each street to be approximately correct relative to the street widths. i have a huge problem with conical artifacts where i want flat right-angles. (update: jpegs default to color blending that causes some of the cones, but others are jaggies when the buildings aren't positioned along the right angles)
i haven't figured out how to set the 'camera's eyelevel-- usually when i lower it it falls thru the 'terrain' which seems to float slowly up into the lovely cloudy sky like graceful polygonal seagulls. (there's simulated gravity but no ground.)
the terrain claims to be divided into 250 subdivisions, and raising this number may reduce the cone problem, while slowing the rendering. (setting it to 256 causes artifacts though)
the 2048 width seems to result in serious averaging, so 256*256 may be the best compromise.
these early drafts mostly look like snow mazes: (w-a-s-d = forward-left-back-right)
eccles to butcher
sandymount
tower
tower b
tower b uses a 256*256 heightmap which can theoretically be optimised to capture tons more detail-- but it's not obvious how to efficiently attack this
starting from a 'fork' of this very simple terrain demo, i mostly just upload my customised 'heightmap' to replace the one called 'Heightmap.jpg' in their Terrain entity.
i've been using 2048*2048 greyscale jpegs with tracings of the 1909 dublin map. pure black is the 'zero' height and i use trial and error to judge how gradually the black level should lighten. (weirdly, you need to 'flip horizontal' the map or left and right will be backwards.)
my primary goal is to give an intuitive sense of distances, so i want the building-fronts along each street to be approximately correct relative to the street widths. i have a huge problem with conical artifacts where i want flat right-angles. (update: jpegs default to color blending that causes some of the cones, but others are jaggies when the buildings aren't positioned along the right angles)
i haven't figured out how to set the 'camera's eyelevel-- usually when i lower it it falls thru the 'terrain' which seems to float slowly up into the lovely cloudy sky like graceful polygonal seagulls. (there's simulated gravity but no ground.)
the terrain claims to be divided into 250 subdivisions, and raising this number may reduce the cone problem, while slowing the rendering. (setting it to 256 causes artifacts though)
the 2048 width seems to result in serious averaging, so 256*256 may be the best compromise.
these early drafts mostly look like snow mazes: (w-a-s-d = forward-left-back-right)
eccles to butcher
sandymount
tower
tower b
tower b uses a 256*256 heightmap which can theoretically be optimised to capture tons more detail-- but it's not obvious how to efficiently attack this
Tuesday, February 2, 2016
Clone me, mirror me, fork me
My plan for this 'blog' is to encourage readers to download Blogger's 8Mb XML 'export' edition, do a single global search-and-replace so the internal links will point to their new mirror domain (like ulyssespages2.blogspot.com instead of ulyssespages.blogspot.com) and then reimport the whole blog to that (free) domain... and also download the ulysses-and-finnegans-wake html zip folder and do the same 'replace' on the ulysses file.
this should result in a personalised index to the whole 700-page mirror
(warning: blogger indexes the pages by date and i realised halfway thru that i could 'forge' the dates so each chapter would get its own month... so the dates are somewhat messy)
new ulysses etext w/.direct links to annotation pages
this should result in a personalised index to the whole 700-page mirror
(warning: blogger indexes the pages by date and i realised halfway thru that i could 'forge' the dates so each chapter would get its own month... so the dates are somewhat messy)
new ulysses etext w/.direct links to annotation pages
Thursday, January 28, 2016
[Trams and trains in 1904 Dublin]
Who rides trams and trains in Ulysses? (trains and trams both have tracks, trams have overhead power lines but share the street, trains have onboard engines)
1. Conmee in Wandering Rocks briefly rides a train
2. Artifoni in Wandering Rocks eventually catches a tram
3. Stephen may ride a train between episodes 2 and 3, and also maybe between 1 and 2?
4. Bloom's budget lists only two tramfares, one between episodes 5 and 6, and one between episodes 14 and 15. But he ought also to have ridden a tram between episodes 3 and 4, and between 6 and 7?
There's purposeful confusion at the end of Oxen and beginning of Circe regarding the Westland Row and Amiens train stations.
To and from Sandymount would be a long walk but the tram isn't mentioned?
Donnybrook tram in Two Gallants [bkgd]
1. Conmee in Wandering Rocks briefly rides a train
2. Artifoni in Wandering Rocks eventually catches a tram
3. Stephen may ride a train between episodes 2 and 3, and also maybe between 1 and 2?
4. Bloom's budget lists only two tramfares, one between episodes 5 and 6, and one between episodes 14 and 15. But he ought also to have ridden a tram between episodes 3 and 4, and between 6 and 7?
There's purposeful confusion at the end of Oxen and beginning of Circe regarding the Westland Row and Amiens train stations.
To and from Sandymount would be a long walk but the tram isn't mentioned?
Donnybrook tram in Two Gallants [bkgd]
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